"Although all the Fallen Women portraits are stunning, perhaps my favourite is the eponymous one: five naked models, drapped in electric-blue swags, with gold paint dripping over them from the ceiling. It reminds me of the story of the tram crash that injured the Mexican artist Frida Kahlo. Impaled on a massive shard of metal, Kahlo came round to discover that someone on the tram had been carrying a tin of gold paint, and she was now covered in it. Gilded like a living human idol. A painful, disturbing and new image of womanhood."

Caitlin Moran, The Times